Cookies

Like most websites The Ophthalmologist uses cookies. In order to deliver a personalized, responsive service and to improve the site, we remember and store information about how you use it. Learn more.
Subscribe to Newsletter
Business & Profession Professional Development, Education and Training

The Art of Eyes: 2022 Edition

Image by Karl Taylor, “The Valley of Litter”

All Eyes on Sustainability
 

Image by Karl Taylor, “The Valley of Litter,” links two of our August 2022 main features: The Art of Eyes and All Eyes on Sustainability.

Read more on sustainability in ophthalmology in these articles:

Waste Not, Want Not by John Hovanesian

Cleaning Up Congress by Oliver Findl

Look Up by Dan Morris


Mandala Eyes
 

The artist, Katherine McVeigh who is an ophthalmologist practicing in Berlin, Germany, comments: “The eyes are unique. Not only are they a window to the mind and the soul, but also they allow us to look inside: revealing signs of disease within the eye, as well as further away in the body. As an ophthalmologist with a long-standing fascination for the eyes and vision, as well as a passion for crafting and design, I recently found myself wondering how art has been used in the past to document and present the structure of the eye. How would those representations fit in the modern world, with our OCT scans and high-definition cameras?

The images in my Mandala series have been collaged to create mandala-style compositions that mirror the technical structure of the eye in an abstract technique, bringing new life and fresh perspective to old artworks.”

Mandala #1 Mind
 

Inspired by the individuality and remarkability of the iris, images portraying the iris, ciliary body and choroid were sampled and rearranged in concentrically aligned rings to create a novel interpretation of the uveal tract.

Mandala #2 Body
 

Bringing together ocular images presented in mixed anatomical planes, concentrically aligned rings are combined with radial slices, to create an abstract reconstruction of the eye.

Mandala #3 Soul
 

This collage mixes coronal plane anatomical and histological images of the eye. The anterior structures are shown peripherally and the posterior structures centrally.

Ίρις
 

This is an abstract interpretation of how the iris can be compared to an ocular version of a fingerprint. A stamp effect montage was created using illustrations from archived ophthalmology books between 1850 and 1935. To convey 3D effect, the original images were used as a base layer and further inverted versions of each image were developed and overlaid with a slight offset. The word iris is derived from the Greek word for rainbow, inspiring the background coloration and reflecting the wide range of potential iris colors.

Looking Ahead
 

This conceptual montage amalgamates illustrations sampled from archived medical and ophthalmic books and combines them with a backdrop of the night sky. The result could symbolize the mortal nature of human existence, hence the importance of managing existential risks.


Dr Lizard and His Patients
 

Dorothea Laurence has just completed her first year of ophthalmology residency at Dr Hoffmann’s Eye Clinic in Braunschweig, Germany. She graduated from the University of Göttingen medical school, where she also completed her doctoral thesis and received the German title of “Dr. med.”

She comments: “In my spare time, I love to illustrate and do calligraphy; my favorite media are dip-pen, ink and watercolors. I have a special love for children’s book illustrations, inspired by my two young daughters, and animal characters. Dr Lizard is illustrated using pencil on paper. So much of the terminology in ophthalmology lends itself to puns, so Dr Lizard and his animal patients were a natural outgrowth of the many hours I spent in the eye clinic over the past year.”

www.dorothealaurence.com 
Instagram: @dorotheaslaurence 

Illustrations may not be reused without permission.


Intelligent Design
 

Nima Ghadiri is a Medical Ophthalmology Consultant and Honorary Senior Lecturer, Liverpool University Hospitals NHS Foundation Trust. “All of the images are created by the same process: I’ve used my own brush strokes, paintings, sketches, or drawings on either canvas or paper. These are then scanned and inserted within a deep learning algorithm that interprets the style (using a “tokenizing system”). Then I use an image of the eye, either one of my own or a stock, as the input image, and apply the algorithm to get these outputs.”


Through the Eye of AI
 

Fares Antaki is a senior resident in the Department of Ophthalmology at the University of Montreal, Canada, where he held the position of chief resident in 2022. He received his MD from McGill University in 2018. He is interested in digital innovations in medicine and, in particular, the applications of emerging technologies such as AI, VR, and telemedicine in ophthalmology. At the end of his residency in 2023, he will complete a fellowship in Artificial Medical Intelligence in the UK and then plans to pursue a clinical fellowship in retinal diseases and surgery.

Antaki says: “Growing up in Aleppo, Syria, my father – also an ophthalmologist – was extremely passionate about visual arts. His collection includes more than 300 paintings, mostly by Syrian, Lebanese, and Armenian artists, and ever since I was a child, I have always enjoyed exploring works of art, especially paintings, as my father regularly took me to art galleries. I found that over the years, my appreciation for art refined my observational and interpretive skills, allowing me to build visual literacy and appreciate minute details, which served me well in ophthalmology. Since starting ophthalmology residency, I have continuously found myself inspired by the forms I found on fundoscopy and even on OCT images.

I started doing research in AI in 2020, so I followed a few relevant Twitter accounts. I came across DALL-E on my feed a few months ago and was extremely impressed by what it was able to achieve. I quickly signed up and was granted access a few days ago. The first prompt I wanted to write naturally had to do with ophthalmology. I thought of cataract surgery and after many trials and errors I found the perfect prompt and applied the styles of different artists to it: Picasso, Klimt, Basquiat, and Munch. Is it creative? Possibly… but honestly to me it just felt like I was connecting things. I was able to connect my previous experiences – growing up loving art – and my new experiences – doing research in AI – to synthesize new things, creating my four paintings. I don’t consider myself an artist.

“A painting of an ophthalmologist performing cataract surgery, in the style of Klimt” – AI painting generated by Fares Antaki using DALL-E 2
“An expressive oil painting depicting an ophthalmologist performing cataract surgery, in the style of Munch” – AI painting generated by Fares Antaki using DALL-E 2
“An expressive oil painting depicting an ophthalmologist performing cataract surgery, in the style of Picasso” – AI painting generated by Fares Antaki using DALL-E 2
“An expressive oil painting depicting an ophthalmologist performing cataract surgery, in the style of Basquiat” – AI painting generated by Fares Antaki using DALL-E 2

If you would like to send us your artwork for next year’s edition of this feature or for Image of the Issue, please email [email protected].

Receive content, products, events as well as relevant industry updates from The Ophthalmologist and its sponsors.

When you click “Subscribe” we will email you a link, which you must click to verify the email address above and activate your subscription. If you do not receive this email, please contact us at [email protected].
If you wish to unsubscribe, you can update your preferences at any point.

About the Authors
Aleksandra Jones

Editor of The Ophthalmologist

Having edited several technical publications over the last decade, I crossed paths with quite a few of Texere's current team members, and I only ever heard them sing the company's praises. When an opportunity arose to join Texere, I jumped at the chance! With a background in literature, I love the company's ethos of producing genuinely engaging content, and the fact that it is so well received by our readers makes it even more rewarding.


Geoffrey Potjewyd

Associate Editor, The Ophthalmologist

The lion’s share of my PhD was spent in the lab, and though I mostly enjoyed it (mostly), what I particularly liked was the opportunity to learn about the latest breakthroughs in research. Communicating science to a wider audience allows me to scratch that itch without working all week only to find my stem cell culture has given up the ghost on the Friday (I’m not bitter). Fortunately for me, it turns out writing is actually fun – so by working for Texere I get to do it every day, whilst still being an active member of the clinical and research community.


Jed Boye

Associate Editor, The Ophthalmologist

I have always been fascinated by stories. During my biomedical sciences degree, though I enjoyed wet lab sessions, I was truly in my element when sitting down to write up my results and find the stories within the data. Working at Texere gives me the opportunity to delve into a plethora of interesting stories, sharing them with a wide audience as I go.

Product Profiles

Access our product directory to see the latest products and services from our industry partners

Here
Most Popular
Register to The Ophthalmologist

Register to access our FREE online portfolio, request the magazine in print and manage your preferences.

You will benefit from:
  • Unlimited access to ALL articles
  • News, interviews & opinions from leading industry experts
  • Receive print (and PDF) copies of The Ophthalmologist magazine

Register